One key to this new material was an ancient, warped piano that appeared in the hallway one day at Sally Mack’s School of Dance and which was subsequently muscled into the group’s studio. Though out of tune and missing teeth, this piano became the warhorse upon which Earley wrote and recorded much of Furr. The beast has gone away to the landfill now, but you can still hear the clacking and clattering of its rickety skeleton in songs like “Not Your Lover” and “Echo.”